These fragments I have shored against my ruins. -T.S. Eliot

These fragments I have shored against my ruins.  -T.S. Eliot

Tuesday, February 26, 2013

When I lean over the chasm of myself




















    We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
    -Virginia Woolf, The Waves



Image: Found here
Title: Rilke, from The Book of Hours I, 3





Thursday, February 21, 2013

Perhaps the truth depends on a walk around the lake





























    On foot
I wandered through the solar systems,
before I found the first thread of my red dress.
Already I have a sense of myself.
Somewhere in space my heart hangs,
emitting sparks, shaking the air,
to other immeasurable hearts.

     -Edith Irene Södergran, “On Foot I Wandered Through the Solar Systems” 
Image: Annie Voughti took the girl to walk in circles, (paper cut letters)
Title: Wallace Stevens




Saturday, February 16, 2013

This forest of letters
























   You speak, and suddenly you are a thousand words standing up.
-Edmond Jabès, The Book of Questions: Volume I [The Book of Yukel, Return to the Book], translated by Rosmarie Waldrop

Image: Found
Title: Susan Howe, “Personal Narrative” (Souls of the Labadie Tract, 2007)

Thursday, February 14, 2013

The Heart’s Portrait


















Image: The O of the famous “Love” sculpture, by Robert Indiana, being lowered into place @ Fifth Avenue and 60th Street, Nov. 29, 1971 

Title: Emily Dickinson, The Letters of Emily Dickinson

Tuesday, February 12, 2013

An expression of poetry that was lost





















the invisible thing inside
circling
     glass
     on its voyage out
     to the heart

-Michael Ondaatje, “*(Insomnia)” from the collection The Cinnamon Peeler

Image: Louise Bourgeois, The Insomnia Drawings, 2000
Title: Gaston Bachelard, The Poetics of Space

Saturday, February 9, 2013

The map has been barely marked





















Driving takes hold of the left brain and then the right brain is 
 
freed—that’s what some writer friends and I have theorized. 
 
But I can’t always stop when I get an idea. It depends on the 
 
road— North Dakota, no traffic. When I’m driving on a very 
 
 
empty stretch of road I do write with one hand. It’s hardly 
 
legible, but still, you don’t want to have to stop every time.” 
 
 
-Louise Erdrich

Note: Yes.
Post Note: As unimpressed as I have been with Erdrich's writing (several attempts, half-finished readings, abandoned books bedside), this quote sings.

Image: Shoji Ueda, Winter 3
Title: Gerald Murnane, Inland

Thursday, February 7, 2013

Anaesthetizing the sky
























Her absence is like the sky, spread over everything.
-C.S. Lewis, A Grief Observed
   Image: Ingvar Kenne from the series Landscapes Deconstructed 
Title: Samantha Wynne Rhydderch, from “Understanding the Echo”

Tuesday, February 5, 2013

A small spot on the astronomer’s retina

























   When the child was a child, it didn’t know that it was a child, everything was soulful, and all souls were one.
-Peter Handke


Image: Vivian Maier, Untitled (Boy in Mirror), 1950s
Title: adapted from Ted Kooser from "After Years"

Friday, February 1, 2013

I have left out the way loss changes one’s tread upon the earth


















  When a person is born, he can embark on only one of three roads of life: if you go right, the wolves will eat you; if you go left, you’ll eat the wolves; if you go straight, you’ll eat yourself.

-Anton Chekov, Fatherless

Image: Gregory Popovitch
Title: Gail Caldwell, A Strong West Wind

Wednesday, January 30, 2013

Liquefaction


































    I blame the twilight for coming too soon,
not allowing enough time for you
to drown without dying. And now
the water boatmen skate on the skin
of water, we should have practiced
how to breathe. Instead we undressed
each other slowly: middle names, first
loves, spiders, toads and newts. Taking our
time to visit every corner, all the while
knowing we would soon run out of self.
I want to ignore the silver scar
on your left retina: the imprint of an iceberg.
Those places you were yearning for: Bermuda,
Pacific, Icelandic waters. Confident diver
that you are, land was never your best side.
What remains is the space around
your hands, their quietness, and at the tips
of fingers the fain hum of blue.
-Saradha Soobrayen, “On the water meadows

Image 1: Max Ernst, Air washed in water (L’air lavé à l’eau), 1973
Image 2: Map: The Grand Circle

Tuesday, January 29, 2013

A sharp-edged throne, a great arsenic lobster























Language is not transparent.

Image: Mel Bochner
Title: García Lorca, from Theory and Play of the Duende (obviously)

Thursday, January 24, 2013

I have a sort of sea-feeling



















   I saw, the sea was boundless, I saw no shore.
-Inscription on a Carthaginian funerary urn
Image: Found
Title: Herman Melville

Tuesday, January 22, 2013

Opacity












  Tristram Shandy does not want to be born, because he does not want to die. Every means and every weapon is valid to save oneself from death and time. If a straight line is the shortest distance between two fated and inevitable points, digressions will lengthen it; and if these digressions become so complex, so tangled and tortuous, so rapid as to hide their own tracks, who knows - perhaps death may not find us, perhaps time will lose its way, and perhaps we ourselves can remain concealed in our shifting hiding places.

-Carlo Levi

Images: Sigurdur Gudmundsson, Gottfried Wiegand, Compagnie Willi Dorner



Friday, January 18, 2013

In the vast world or in the immense past
































… the silence
Holds with its gloved hand
The wild hawk of the mind.
— R. S. Thomas, excerpt from “The Untamed” 


Images: Found; Edward Curtis
Title: Gaston Bachelard, The Poetics of Space



Monday, January 14, 2013

A swarm of voluptuous moths

























    Amazingly,
I am too the memory of a sword
and of a solitary, falling sun,
turning itself to gold, then gray, then nothing.
I am the one who sees the approaching ships
from harbor. And I am the dwindled books,
the rare engravings worn away by time;
the one who envies those already dead.
Stranger to be the woman who interlaces
such words as these, in some room in a house.
-adapted from Jorge Luis Borges, “I” 

Image: Christo and Jeanne Claude, Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland, 1997-98
Photo: Wolfgang Volz
Title: Edmond Jabès, The Book of Questions: Volume I [The Book of Yukel, Return to the Book], translated by Rosmarie Waldrop

Saturday, January 12, 2013

Come, young rain of tears




















All my life I’ve looked at words as though I were seeing them for the first time.
-Ernest Hemingway


Image: Alexis ArnoldCrystalized books
Title:  Rolf Jacobsen




Monday, January 7, 2013

New Year's Resolution 2013


































Image: Laurence Demaison
Quote: Rilke, from The Inner Sky: Poems, Notes, Dreams, trans. by Damion Searls

Thursday, January 3, 2013

The Veins that used to run














 
 
 
 
 
 
 
 
 
My soul is in the sky.

-Shakespeare, 
 
A Midsummer Night's Dream

 
Image: Erich Buchwald Zinnwald
Title: Emily Dickinson, excerpt from I’ve dropped my Brain — My Soul is numb, (#1046)


Sunday, December 23, 2012

A Grotesque and Magnificent Inferno
























Estimated number of fireflies it would take to generate the visible brightness of the sun: 14,286,000,000.

-Professor Cole Gilbert, Cornell University

Title: Alexander Blok
Image: Robert Rausschenberg, Mother of God, 1950 

Thursday, December 20, 2012

Which I is I?




















How can it be described? How can any of it be described? The trip and the story of the trip are always two different things. The narrator is the one who has stayed home, but then, afterward, presses her mouth upon the traveler’s mouth, in order to make the mouth work, to make the mouth say, say, say. One cannot go to a place and speak of it; one cannot both see and say, not really. One can go, and upon returning make a lot of hand motions and indications with the arms. The mouth itself, working at the speed of light, at the eye’s instructions, is necessarily struck still; so fast, so much to report, it hangs open and dumb as a gutted bell. 


-Lorrie Moore, “People Like That Are the Only People Here”
Image: Flickr / francyvieste
Title: Theodore Roethke, from “In A Dark Time”

Tuesday, December 18, 2012

An orgy of loose ends





















   "…There is some line running through her body like a wick....I’m trying to understand what it means to have had a life."
-Mary Gordon
Title: Via Louis-Ferdinand Céline, Death on the Installment Plan

Image: Sebastião Salgado, Full View of the Serra Pelada Gold Mine, Brazil, 1986

Friday, December 14, 2012

The untrimmable light of the world

























    The ‘second sight’ possessed by the Highlanders in Scotland is actually a foreknowledge of future events. I believe they possess this gift because they don’t wear trousers. That is also why in all countries women are more prone to utter prophecies.
-Georg Christoph Lichtenberg, The Waste Books

Image: Fergus Feehily
Title: Mary Oliver, from the poem "Mindful"

Tuesday, December 11, 2012

Consider incompleteness as a verb


























That uncrossable gulf between home and away.
-Steve Himmer, excerpt from The Importance of Unwritten Postcards

Image: Plate photographed through tissue. The frontispiece to The Giant-Killer: or, The Battle Which All Must Fight, by A.L.O.E. (Charlotte Maria Tucker, 1856). Original from Oxford University. Digitized July 12, 2006.
Title: Anne Carson, Plainwater

Saturday, December 8, 2012

There is a language older by far and deeper than words



























 
 
 
"The very function of poetry is to be as universal as possible, 
 
and that demands that we rectify, simplify, enlarge our lived 
 
experience, so that our words have properties that make them 
 
on the whole comprehensible and lived anew—the reader must 
 
understand that what is obscure in the poem proves that words 
 
should not be reduced to a game of concepts, which in turn 
 
would engender ideology, death. It is not a question of 
 
understanding a poem concept by concept, for that would mean 
 
tearing it away from its basis, which is not thought but 
 
experience.”
Yves Bonnefoy

Image: James Glaisher, Travels in the Air, 1871
Title: Derrick Jensen